Second Map Underway

(Starting the destroyed Stonehenge map)

The second map was created in a similar way to the first, using the reference map to guide where most of the assets go.  We wanted the map to have some resemblance to the reconstructed map, rather than just place the stones randomly.

The second map shows Stonehenge, having been destroyed by an unknown evil force.  Giants root structures can be seen all over the map, providing players with a unique and interesting environment to explore.

Choosing Styles

(example of art style tests for the grass assets)

Before we could produce any finished textures, we needed to confirm our in-game art style.  To achieve this we decided to create a selection of textures for a couple of the models and see which ones looked best in engine.

We were surprised how good even the simplest of textures looked in engine.  The whole process really emphasised  the benefits of real-time changes to lighting that CryEngine 3 delivers.  The image above shows a selection of the grass assets using some of the different textures.  The one on the far right is just a single colour, the two in the middle are the same texture with different colour levels, whereas the one on the left used a storybook painterly style.

To fit in with the theme of the game and achieve the desired atmosphere, we decided on the storybook style.

Whitebox

(Whitebox of reconstructed Stonehenge)

To help get a feel for the scale of the world, as well as test any assets, we created a whitebox version of the map in CryEngine.  We set up the file structure ready for the assets and created some basic placeholders to populate the scene.  These were named appropriately with the real assets in mind.

(Concept / Reference Art)

The whitebox was created using a piece of reference art.  The measurements shown are those from the British Library map we chose.

(Whitebox image of Stonehenge game level)

We decided rather than making the player character smaller, we would make the world bigger.  This meant that the version of Stonehenge we've made in CryEngine is in fact twelve times bigger, as this is how many time bigger the standard character in the engine is in comparison to the faerie.  The reason for this is so we can easily implement changes to the design if we need to at a future point.

(Construction of the whitebox level using a reference image)

The whitebox was created using the map as a reference image in engine. We used the solids tools to create box to the size the diameter needed to be and scaled the map image to match.  This meant we could place the stones in the level accurately.

The next step in the production process is to test the art styles we are currently thinking of using before replacing the placeholders with more detailed finished assets.